Archive for July, 2010

The only successful networker was the bartender

THE DISCUSSION

Two talks from the recent TEDGlobal conference set the broader context of this topic perfectly. Both are highly recommended.

Ethan Zuckerman points out that even as the web makes our globe increasingly interconnected, most of us still source information and ideas from people who are just like us. (And he offers some suggestions and tools for how to change that.)

Matt Ridley demonstrates how, throughout history, the meeting and mating of ideas has massively accelerated productivity and innovation. As he puts it, more tantalizingly, this is what happens when ideas have sex.

Jonah Lehrer’s latest blog post, The Secret of Successful Entrepreneurs, brings this all into a modern business context.

In a 2007 study at Columbia University, executives were invited to a cocktail mixer and encouraged to network with new people. The vast majority of participants even declared that their primary goal was to meet “as many different as people as possible” and “expand their social network.” Not surprisingly, however, birds of a feather drank together. Investment bankers clustered with investment bankers, marketers with marketers, and so on. According to the researchers, “the only successful networker at the event was the bartender.”

To demonstrate the tangible benefits of a diverse social network, Lehrer cites a separate study by Princeton sociologist Martin Ruef. Interviewing over 700 Stanford Business School grads who had gone on to start their own business, Ruef noticed that most of these entrepreneurs had very homogenous networks—but a small subset had significantly expanded their circles.

“They didn’t just hang out with colleagues and close friends,” Lehrer writes. “Instead, [they] maintained a large number of ‘weak ties’ with people at different companies and from different backgrounds. Their social networks were varied and undirected, full of surprising interactions and ‘informational entropy.’ These entrepreneurs made a habit of hanging out with people who told them unexpected things; they chatted with acquaintances and struck up conversations with random strangers.”

Here’s where it gets really interesting. When Ruef analyzed the innovation levels of all the subjects (measured by patents and trademarks, with bonus points for entering an unexploited niche or pioneering new marketing methods), he found that those with wider networks were three times more innovative than their narrower peers.

By interacting with a wider range of contacts, they were exposed to a wider range of ideas and what Lehrer calls “non-redundant information.”

He concludes:

There is something unsettling about Ruef’s data. We think of entrepreneurs, after all, as individuals. If someone has a brilliant idea for a new company, we assume that they are inherently more creative than the rest of us. This is why we idolize people like Bill Gates and Richard Branson and Oprah Winfrey. It’s also why we invest in the meritocracy: We believe that we can identify talent in isolation.

But Ruef’s analysis suggests that this focus on the singular misses the real story of entrepreneurship. Unless we take our social circle into account – that collection of weak ties and remote acquaintances who feed us unfamiliar facts – we’re not going to really understand the nature of achievement. Behind every successful entrepreneur is a vast network.

If you don’t already have a “collection of weak ties and remote acquaintances” feeding you unfamiliar facts, you might want to think about cultivating one.

Ruffling feathers, healing kids

THE DISCUSSION

Congrats to our friend Steve Gross, who in 2008 put a charge into The Vine—first by getting us all dancing onstage, then with his stirring talk about the healing properties of joyfulness and play.

Grossie was recently honored with the 2010 Ruffled Feather Award at the Plymouth Rock Comedy Festival. The award recognizes the achievements of those who have positively “ruffled the feathers” of the world: socially, emotionally and optimistically through the use of humor and creativity.

A social worker by training, Gross founded Project Joy (now Life is good Playmakers) in 1989 as a nonprofit organization using play to strengthen and heal children whose lives have been deeply impacted by trauma. He and his team have just returned from Haiti, where they trained and equipped Haitian community leaders and childcare workers in the art of Playmaking.

“We understand the neurophysiology of trauma, but oftentimes we don’t understand the neurophysiology of joy and love,” Gross said. “Disaster response focuses on the negative. I’m not saying you ignore that. But what you pay attention to grows. If you work with children and all you talk about is fear, loss and sadness, and you don’t try to tap into joy you’re never going to help them heal.”

Kudos to you, Steve. We’re proud to call you our colleague and friend.

Virtuous circle

THE DISCUSSION

For people wondering what The Vine is all about, our website and other materials will tell you the (carefully crafted) story with background, characters, who-what-why, beliefs, purpose statements, etc. etc.

But if I distill it all down to its core, the raison d’etre for creating these gatherings (and now this online forum), it comes to this:

Inspired people create inspired places. And vice versa.

Very few businesses or entities, including the government, will influence people’s quality of life (for better or for worse) quite like community development. The places we create will either enhance or diminish the innate human desire for a sense of community and interconnectedness—to one another, to the built environment, and to the natural environment. Place affects people. People affect place. And so on.

From what people tell me (maybe they’re just being nice), The Vine has inspired quite a few of you over the years. The Pumpkin Festival collaboration between Newland Communities and Life is Good has raised nearly $1 million for children in need. The Ratkovich Company, moved by Dave Eggers’ unforgettable talk in 2007, built the 826 LA tutoring center in Echo Park. Actress/playwright Claytie Mason and musician/performer Rebecca Jackson have joined forces to create “The Wind and Rain,” a theatre piece hailed as “lovely, lethal and lyrical” by the San Francisco Chronicle.

And yet as much as The Vine may have given its members over the years, I can safely say you’ve given us more in return.

The circle continues.